The Triumph of Light and Ultralightness: Zieta Studio in Milan

The most captivating theme in this year’s Zieta Studio exhibition in Milan was undeniably light. A brand-new concept of reflection-based architecture was unveiled. Objects from Zieta’s lighting collection delicately illuminated the dedicated zone, leading visitors through a story of the power and potential of reflections on polished steel surfaces. In this narrative of fascination with light, the 3-metre-long linear Blade took centre stage, accompanied by the Harmonica, Lampin, and Luna constellations. Object and light blended provocatively in the illuminated versions of Zieta’s mirrors from the Aurum collection. The debuting Rondo 200 Gold Light and the striking Tafla C in Rose Gold stole the spotlight.

The primary narrators of reflections were, of course, Zieta’s mirrors. Tafla Inox in a unique constellation and the hypnotic Mercury in Dark Matter finish were showstoppers. The wall compositions of Kamyki subtly multiplied the marvel, while the Bolid hinted at a new era of mobility. Amidst the decorative accents and accessories completing Zieta Studio’s Milanese composition, the Zieta vases took centre stage. The collection delighted the senses, reflecting botanical themes in its polished surfaces. The intriguing Karava, the brutal Crash, and the geometric Parova added diversity. To cap off this wide range of potential from the studio and provide a distinct sculptural accent, there was the Crystals Totem  —translating sound into steel geometry.